TAREK PUKAT ACEH: BENTUK EKSPRESI KEHIDUPAN MASYARAKAT PESISIR ACEH DAN UPAYA PEWARISANYA DI TK NEGERI 5 BANDA ACEH
DOI:
https://doi.org/10.33143/jes.v9i1.3056Abstrak
Tari Tarek pukat diciptkan oleh Yuslizar pada tahun 1958 awalnya tarian ini diciptakan dalam rangka memeriahkan semangat masyarakat Aceh dalam kongeres pemuda Aceh yang harus bangga dalam kesuburan di tanah Aceh. Tari Tarek pukat diwariskan melalui pembelajaran di TK Negeri 5 Banda Aceh yang berada di pesisir Pantai Alue Naga. Tarian ini menceritakan tentang bagaimana kehidupan rakyat Aceh yang tinggal di pesisir pantai. Tarian tarek pukat biasanya di tarikan oleh 5 sampai 9 orang wanita, dan 4 atau 5 orang laki-laki. Berdasarkan keterangan tersebut, tujuan penelitian ini mengkaji ekspresi masyarakat pesisir Aceh sebagai media pembelajaran tari Tarek Pukat. Metode yang digunakan adalah kualitatif. Lokasi penelitian di TK Negeri 5 Banda Aceh Jl. Tengku Meurah Tibang Kecamatan Syiah Kuala Kota Banda Aceh. Teknik pengumpulan data yang digunakan observasi, wawancara, dan studi dokumen. Teknik keabsahan data menggunakan triangulasi sumber. Teknik analisis data yang digunakan adalah deskriptif analisis. Hasil penelitian bahwa tari Tarek Pukat melalui gerak dan properti, yaitu, peuget pukat, tarek pukat,kayoeh,ikat taloe,pasoe engkot lam raga, puwoe engkot sebagai ekspresi masyarakat pesisir Aceh yang terdapat dalam kehidupan masyarakat pesisir Aceh . Berdasarkan hal yang tersebut, maka dapat dikatakan bahwa tari Tarek Pukat ini dapat membentuk karakter sosial berkerja sama, bersemangat optimis, konsisten dan loyal.
Kata Kunci: Tarek Pukat, Ekspresi mayarakat Aceh
The Tarek Pukat dance was created by Yuslizar in 1958. Initially this dance was created in order to enliven the spirit of the Acehnese people in the Acehnese youth congress who must be proud of fertility in the land of Aceh.The Tarek trawl dance was inherited through learning at the Banda Aceh 5 State Kindergarten which is on the coast of Alue Naga Beach. This dance tells about how the lives of the Acehnese people who live on the coast. The tarek trawl dance is usually danced by 5 to 9 women, and 4 or 5 men. Based on this information, the purpose of this research is to examine the expression of Acehnese coastal communities as learning media for the Tarek Pukat dance. The method used is qualitative. The research location is in TK Negeri 5 Banda Aceh Jl. Tengku Meurah Tibang, Syiah Kuala District, Banda Aceh City. Data collection techniques used were observation, interviews, and document studies. The data validation technique uses source triangulation. The data analysis technique used is descriptive analysis. The results of the study show that the Tarek Pukat dance through motion and properties, namely, peuget pukat, tarek pukat, kayoeh, tie taloe, pasoe engkot lamraga, puwoe engkot as an expression of the Acehnese coastal community found in the life of the Acehnese coastal community. Based on this, it can be said that the Tarek Pukat dance can form the social character of working together, optimistic, consistent and loyal.
Keywords: Tarek Pukat, Expression of the people of Aceh
ÂReferensi
Aini, I. Q. (2016). NILAI-NILAI PENDIDIKAN ISLAM YANG TERKANDUNG DALAM TARI RATÉB. Jurnal Ilmiah DIDAKTIKA, 17(1), 118–137.
Basri, N. (2017). Catharsis : Journal of Arts Education Likok Pulo Aceh Dance as A Educational Media of Religious Values for Acehnese in Pulo Aceh. Catharsis: Journal of Arts Education Http://journal.unnes.ac.id/sju/index.php/catharsis Likok, 6(2), 144–152.
buletin. (2014). Haba keanekaragaman kesenian tradisional Aceh. (B. A. balai pelestarian nilai Budaya, Ed.).
dinas kebudayaan buletin. (2015). Haba dunia maritim dalam perspektif sejarah dan budaya Aceh. (B. A. balai pelestarian nilai Budaya, Ed.).
Hartati, T. (2010). Jurnal llmiah FKIP Univ. Ilmiah FKIP Universitas Syiah Kuala, 11 nomor 2.
harun, mohd. (2009). memahami orang Aceh.
Heri Purwanto. (2007). Strategi hidup masyarakat nelayan. (Y. LKis, Ed.).
kodiran. (2004). PEWARISAN BUDAYA, 16(1), 10–16.
Lailisma Sofiyati. (2004). Tari tarian di provinsi Aceh darusslam. (Banda Aceh: sanggar tari cut nyak dhien meuligoe nanggroe Aceh darussalam., Ed.).
Murni, E. S., Rohidi, T. R., & Artikel, I. (2017). Catharsis : Journal of Arts Education TOPENG SENI BARONGAN DI KENDAYAKAN TEGAL :, 5(2), 149–158.
pemerintah kota banda Aceh. (2008). Seni Tari Aceh.
Restela, R., & Narawati, T. (2017). Tari Rampoe sebagai Cerminan Karakteristik Masyarakat Aceh. Panggung, 27 no 2(229).
Rohidi, T. R. (2011). Metode Penelitian Seni.
Sofiana Fitri. (2009). seni Budaya.
Syamsuddin Daud, dkk. (2010). Meulaot(adat menangkap ikan dilaut).
Triyanto. (2015). Perkeramikan mayong lor jepara: hasil enkulturasi dalam keluarga komunitas perajin. Imajinasi Seni, IX(1), 1–12.
Z.H. Idris. (1993). Peralatan Hiburan dan Kesenian tradisional propinsi daerah Istimewa Aceh.
Unduhan
Terbitan
Bagian
Lisensi
Publication Ethics and Publication Malpractice Statement
This statement clarifies ethical behaviour of all parties involved in the act of publishing an article in our journals, including the authors, the editors, the peer-reviewers and the publisher (Directorate Research and Community Service, Universitas Ubudiyah Indonesia).
Ethical Guideline for Journal Publication
The publication of an article in a peer-reviewed JES is an essential building block in the development of a coherent and respected network of knowledge. It is a direct reflection of the quality of the work of the authors and the institutions that support them. Peer-reviewed articles support and embody the scientific method. It is therefore important to agree upon standards of expected ethical behavior for all parties involved in the act of publishing: the authors, the journal editors, the peer reviewers, the publisher and the society.
Directorate Research and Community Service, Universitas Ubudiyah Indonesia (UUI) as publisher of this Journal takes its duties of guardianship over all stages of publishing extremely seriously and we recognize our ethical and other responsibilities. We are committed to ensuring that advertising, reprint or other commercial revenue has no impact or influence on editorial decisions.
Publication decisions
The editors of the journals are responsible for deciding which of the articles submitted to the journal should be published. The validation of the work in question and its importance to researchers and readers must always drive such decisions. The editors may be guided by the policies of the journal's editorial board and constrained by such legal requirements as shall then be in force regarding libel, copyright infringement and plagiarism. The editors may confer with other editors or reviewers in making this decision.
Fair play
An editor at any time evaluate manuscripts for their intellectual content without regard to race, gender, sexual orientation, religious belief, ethnic origin, citizenship, or political philosophy of the authors.
Confidentiality
The editor and any editorial staff must not disclose any information about a submitted manuscript to anyone other than the corresponding author, reviewers, potential reviewers, other editorial advisers, and the publisher, as appropriate.
Disclosure and conflicts of interest
Unpublished materials disclosed in a submitted manuscript must not be used in an editor's own research without the express written consent of the author.